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"Film World Is All False" - When Dharmendra Spoke About Why Guddi Was Made_我的网站

一 |     第1名：威少（+30.3）          威少断档第一并不让人意外，反而很符合他的比赛特点。巅峰时期的威少是MVP级别球星，冲击力、转换和篮板能力都极其突出，可他的打法同样建立在大量持球和高风险决策之上，失误、外线投篮选择以及关键时刻的强攻，都会累计大量负面回合。进入生涯后期，随着运动能力下降，过去能够依靠身体完成的进攻越来越难，投射短板也被进一步放大，这导致威少该数据断档高居第一，也变相解释了为何今夏他迟迟找不到合适的下家。         第2名：追梦格林（+17.5）          相比之下，追梦排在第二让人有些意外。    When Guddi was released in 1971, it made an instant star of Jaya Bachchan and also showed the world that the glamorous world of the movies wasn't so glamorous after all. Almost four years ago, actor Dharmendra spoke about why Guddi was made. He shared a clip from the film where Jaya Bachchan's character is seen expressing her love for him by looking at his pictures.  "We made the film Guddi, to make school girls and boys aware that the film (movie camera emoji) world is all false. Don’t get carried away. But in vain. I still say there is a big difference between craze and love," Dharmendra wrote in the caption.          Dharmendra played himself in Guddi while Jaya Bachchan played the role of a schoolgirl who has a crush on him. Guddi was directed by Hrishikesh Mukherjee and written by Gulzar.           He had also posted a picture of himself and Bachchan and captioned it: "Barson baad..... Apni Guddi ke saath......Guddi jo... kabhi badi fan theyn meri (Years later with my Guddi who was once my big fan).....A happy news......"                                                                 View this post on Instagram          A post shared by Dharmendra Deol (@aapkadharam)                              Dharmendra and Jaya Bachchan were also seen in Karan Johar's Rocky Aur Rani Kii Prem Kahani. The film also starred Alia Bhatt, Ranveer Singh and Shabana Azmi. He will now be posthumously seen in Ikkis, starring Amitabh Bachchan's grandson, Agastya Nanda.     The veteran actor, affectionately known as Bollywood’s He-Man and Dharam Paaji, passed away on November 24 at the age of 89. His passing leaves behind an unmatched legacy of over six decades. The actor, born as Dharmendra Singh Deol, breathed his last at his residence. He was admitted to Breach Candy hospital earlier this month due to respiratory complications.     Dharmendra is survived by his wife, actress Hema Malini, his first wife Prakash Kaur, and his children, including actors Sunny Deol and Bobby Deol, and daughters Esha Deol and Ahana Deol.          Also Read: Allu Arjun, Jr NTR, Chiranjeevi Pay Tributes to Dharmendra。

二 | 勇士王朝时期，他一直是球队防守和组织体系的重要核心，掩护、传球和防守指挥很难完全体现在普通数据里。之所以高居第二是追梦的短板太过明显，随着外线威胁下降，对手越来越敢放空他，当库里被夹击之后，追梦能不能处理好4打3，直接决定勇士进攻质量。再加上部分冒险传球，以及技术犯规和情绪问题，他确实经常制造负面效果，这也是追梦这类体系球员的通病，优势和短板都容易被放大。

三 |          3-5名：斯马特、拉塞尔、库兹马          斯马特+13.3排名第三，拉塞尔+13.2第四，库兹马+10.7第五。斯马特防守、拼抢和精神属性突出，可进攻端偶尔会承担超过自身能力的任务，导致数据不够好看，拉塞尔拥有投射和组织能力，高强度比赛下的稳定性却长期受到质疑，库兹马则是在持球和使用率增加之后，效率与决策问题更加明显。三个人风格不同，排名靠前的共同原因都是承担了过大的进攻责任，因而产生了较多失败回合。         第六名：东契奇（+9.8）          东契奇进入前六，是榜单最大的讨论点之一。如果把“失败贡献值”直接理解成拖累球队，那显然解释不通。东契奇长期承担极高球权，大量进攻都由他发起，自然也会积累更多失误、强投和失败回合。一个每场只处理几次球的角色球员，很难产生同样规模的负面数据，因此值得讨论的是，高持球打法本来就有两面性。

四 | 当东契奇体能下降、比赛陷入连续单打，或者防守投入不足时，这种模式的负面影响也会被同步放大。         7-10名：大球、卢比奥、普尔、特雷-杨          大球和卢比奥同为+8.9，普尔+8.0，特雷-杨+7.2。其中普尔和特雷-杨都属于进攻创造力强、状态波动巨大的后卫，尤其特雷-杨，与东契奇类似，需要承担大量挡拆和持球任务，创造高质量机会的同时，失误和高难度出手也很难避免。

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Published on:05:28:34